This post is a free part of what was posted on the Japanese creator support site “Ci-en”. If you want to see the latest production progress on the paid part, visit Ci-en.

Recent Activities

　Recently, I had the opportunity to hear from an acquaintance about a work called “Maho Shojo Futana.” As the title suggests, this work deals with elements of magical girls and futanari. Intrigued, I decided to purchase and play the game right away. I have written and posted a summary of my impressions on DLsite’s channel, so if you are interested, please take a look.

▼Summary Article

【Introduction, Impressions, and Walkthrough】Maho Shojo Futana

▼Product Page

　Additionally, since no one seems to have written a summary article, I am considering writing one myself for my own work, 《SHINNEMIA in the Forest Invader》. Once it is completed, I will share it with you all.

Production Progress Report 1

　Currently, I am continuing to work on the damage variations for the enemy characters. From last week to this week, I found myself slacking a bit, but this is merely a return to my usual pace after an unusually productive one or two months. Still, I might be feeling a bit of fatigue from the continuous work on damage variations.

　However, I have successfully completed the damage variations for character number E18. This particular scene might be one of the most shocking in the entire game. If I were to describe its content in one phrase, it would be “The Mystery of Life.”

　The detailed content and images will be included in articles for followers and in paid articles, so please proceed with caution when viewing them.

Production Progress Report 2

　The character I was working on this time for the damage variations is likely an adult woman dressed in a camisole dress. The noteworthy point is that pregnancy variations are included. Given that there are both pregnancy variations and damage variations, it’s easy to imagine what kind of outcome this will lead to.

　It’s about the fetus.

　The full details can be viewed in the paid article.

　Since the time of Succubus R●pe Cruel Story, which serves as the spiritual predecessor of QUEEN of MASSACRE, D’s Production has been striving to express “the mystery and dignity of life, as well as its desecration and destruction.” In Succubus R●pe Cruel Story, this effort is evident in the battle with the pregnant queen elf, and similar themes are expressed in this enemy character within QUEEN of MASSACRE.

▲ The battle with the pregnant queen elf in Succubus R●pe Cruel Story. If you haven’t played it yet, I highly recommend experiencing what happens next.

　However, I have no intention of being satisfied with this and aim to pursue even more cutting-edge expressions. Those who have played the second demo of QUEEN of MASSACRE have likely already seen signs of this. I am deeply committed to further refining and perfecting those expressions.

Deception

　While I have expressed lofty ideals above, I cannot help but feel a profound sense of deception in my own expressions.

　As I have mentioned several times before, my grotesque expressions are inherently deceptive. For example, when blood splatters from a wound and adheres to the surrounding skin, this is not how bleeding would actually occur. This is not a “small lie to make it look real,” but rather a “complete lie that abandons realism.” In the end, my ability to accurately depict reality is sorely lacking.

　Regarding the depiction of the fetus this time, there is one intentional fiction: the hair. A newborn’s hair is generally very thin, and it is rare for it to be as long as depicted here. I say “rare,” but individual differences exist, so it cannot be said to be impossible. It might exist. However, this depiction was not intended to represent a rare real-world instance but was entirely distorted to suit my preferences.

　I have never particularly liked fetuses or newborns immediately after birth. Perhaps “fear” would be a more accurate term than “dislike.” Although, I’m not sure how many people are truly fond of fetuses… (This does not apply to babies a bit after birth…)

　I deliberately drew the hair longer this time to reduce the newborn-like appearance of the fetus as much as possible. While I acknowledge that this act goes against the spirit of realism, I also feel that the very idea of striving for complete realism might itself be a deception.

　All of the latest production images can be viewed in the paid article of Ci-en.